Lemon Tsupryk Q4 #4: Oldest Rememory

Warm things, moving things; shapes, dancing, alive. Browns and greys shifting into orange, flickering, flitting, sparks like stars but the stars are out there in the cold dark and you’re in here, surrounded by safe voices and familiar smells. 

There are many here with you. Some are dancing, and those too old or too tired to dance are singing. The being you came from—your mother—holds your little hands in hers and spins, despite the pain in her soles from a long day spent gathering mushrooms and fruit. Long-haired furs laid out on the floor far from the fire tickle your ankles as you spin by. 


“Be careful!” one of the older ones warns and your mother apologizes for you, halting your pair orbit by pulling you closer. The older one is mixing colors on sheets of bark, swirling spit and water and clay into reds and browns, the same reds and browns the bulls and horses running above your head are made from. It has been a long time since your family—your group, your people—have been back to this cave, and it has unanimously been decided that the return calls for a continuation for the bulls and birds and hooved animals decorating the ceiling and walls. 


Peeking out from behind your mother, you watch a strong hunter lift the old one onto his shoulders, up to the ceiling. The old dips the littlest finger on their left hand into the puddle of warm color and, with a steady hand, traces the curving shape of a bull’s back, the swoops of its horns, as the strong keeps singing. Your mother leaves your side to stoop down and hand the old another swatch of color at their request. The others cheer. 


Someone young, younger than even you, runs by on legs which have just learned to hold upright without buckling, and screeches with winded joy. You want to run with them but they are too small, your mother told you, which stings because the others are too old. You were born after a year of cold winters and illness, the only child. “You brought the sun!” your mother told you. 


But presently, she beckons you away from the fire. She is holding the flat bark with remnants of chalky white the old used for the underbelly of the bull, gesturing at the wall of handprints ranging from the size of hawk talons to bear paws. When you run to her she dips your hands in the paint one by one and lets you press them against the coolness of stone. When you pull away you look, giddy, at the two white prints with fingers splaying from palms like rays from the sun among the other hands, white and brown and red. 


You scratch your nose with your hand, and your mother laughs at the pale smear on your face. She wipes it off and lets you run back to the fire, imbued with the joy of leaving a mark; a mark saying you, you to whom those hands belong, were here.

“Hey! Dude, what are you doing?” 


Your friend swats at your shoulder. You blink at him, all his band-T and cargo pants-ness oddly alien. 

“That’s gonna stain so bad, and they’re also gonna know it was you and we’re both gonna get clocked!” 


You look back at what he’s pointing at: your hand, pressing against cold concrete covered in spray paint. Your tag looms behind it, bright orange words moving sideways like galloping animals with action lines extending far to the left. Your hand has smeared a hand-shaped smudge in the field of orange and when you lift it, the color clings to your palm, bright like direct sunlight. It’s mesmerizing, so chemically brilliant, but after a second or two whatever came over you passes.


“Man, I dunno,” you say, capping the spray paint can still in your other hand, “I’ll just wear a glove or somethin’.” 


You step back to admire your work and your friend follows, aimlessly shaking his own can and his head. Two strings of bright letters, with one smeared by a hand. Your nose itches and you go to scratch it, but stop yourself. Your friend seems oddly contemplative and you turn to him to ask what’s on his mind, but he’s already speaking. 


“That’s art, dude. With the hand there,” he points, “not something a robot could make. Take that, AI!” 


“Yeah, take that!” you echo, aiming for his face with orange-stained fingers. 


“Ey, get your Cheeto-hand away from me!” he pushes your arms away and takes off running. You know he’s smiling. You give chase; dead leaves and candy wrappers crackle under your boots like fire and, just for a moment, you think you can hear the singing.



Image: hand-drawn. (Get it? Like...hand? Ok.)
I am fully aware this blog is far over the word count but I do not have the heart to cut it down. It is the last blog of the year, after all.


Comments

  1. For some reason, AI has always struggled with generating hands. But I’ve also read that the earliest drawings found on caves have been handprints. Something about AI art—the uncanny smoothness, the homogenization of faces, the terrifying sense in the deep unconscious whispering that the image in front of you is not quite human. Of course, humans struggle with drawing hands too, but it’s not for lack of understanding the number of fingers the average person has. This isn’t only the case for generative AI, either: there’s an extensive Wikipedia page detailing the writing style of AI and how to spot AI writing. AI that generates music as well is, for lack of a better term, steaming trash. It’s repetitive and every song sounds the same. The only reason a song like “We Are Charlie Kirk” could gain attention is for its deeply questionable lyricism and message. Clearly, AI will never be able to grasp humanity. As always, your blog is a delight to read, Lemon. I think the drawing this week might be one of my favorites.

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  2. Lemon, I thoroughly loved reading your blog this week. I love the vivid imagery and the dialogue you provide throughout the story. The first thing that struck me was the connection between a mother and her child that begins right when someone is born. The line about a mother spins her child around despite the “pain in her soles” reminds me of how selfless certain relationships are. You talk about “safe voices and familiar smells” and that really stood out to me because I have been thinking a lot lately about the people we choose to keep in our lives. Maybe it’s because the year is coming to an end, but I have had many conversations with my friends about how junior year has really shown us which people in our lives are truly good people. I also want to commend you for the effort you put into drawing for your blogs every week. So many people, including myself, take the easy way out by simply using a Google stock image but your dedication and obvious talent is truly refreshing. The dimension in the drawing of both hands and the ethereal light shining on the hand on the left is incredible and I really wonder how you are able to execute that. I really loved your blog and I have enjoyed being in your cohort this semester.

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